Warner Brothers, IMAX Films, MTV/VH1, L'Oreal, Fox Television Network
Prince/Paisley Park Records, National Geographic, Abu Garcia, Seadoo Skidoo
American Crew, George Clinton, PBS, Time Warner, Healthy Choice, Yamaha, RollerBlade Aveda, Wells Fargo, BET Network, Pioneer, Sunglass Hut International, McLeod USA, Cargill, Jordan Outdoor Enterprises, Cellexus Cellular, 3M
Campbell Mithun Esty, Meyoks & Priebe, Tripp & Associates, BBDO, Miller Meester, Icon Advertising, Mahoney Media, General Growth, Russel & Harder, Best Buy Advertising.
Excellent with Sound & Picture layering. Extensive knowledge with Sound Effects and Sound Design (Supervising Sound Editor; IMAX motion picture "Extreme"). Music selection & arrangements is his known specialty.
Non-Linear Platform Experience:
Final Cut Pro, Avid, Media 100, Sony Vegas, Discreet Edit...(They're all the same to him) PhotoShop, Sony DVD Architect, some After Effects as well as various Aquatic Animals.
With many TV commercials and numerous Docu-Promos under his belt, his main concentration is in long form story telling in Documentaries and other avenues.
In his early years, Patrick was recognized by RockAmerica as the first video artist to pioneer video "scratching". While employed as one of the first of the newly created position of VJ (Video Jock) from 1981-85 at Minneapolis premier and legendary Rock Club/Danceteria FIRST AVENUE, Patrick utilized experimental techniques and innovative methods in video editing, creating video wallpaper for the clubs huge video screen. It was at First Avenue that he first previewed his re-edited or manipulated versions of Princes 1999 and Little Red Corvette, which he had re-cut into elongated dance versions of the original videos while maintaining the songs original BPMs (beats per minute). This caught the eye of Prince during a visit to the club, which led to directing his
Organizations / Affilations:
is located in and has the following skills: